This is a tiny portion of the thousands of bees in my friend’s hives:
Because I had my eye pressed up against a viewfinder attachment on the camera, my veil was pushed up against my face. One of the bees crawled up on the outside of my veil, got a bit wedged between the camera and my face, and gave me a [small] sting on the nose. It only smarted for a couple of minutes, and it didn’t leave a stinger behind. But it did make me even more careful to make sure I didn’t wedge a bee between the eyepiece and the veil, because they do crawl all over the hood and I find I don’t really notice anything other than what I happen to be focused on filming – including the bees ricocheting off the back of my head.
The process of type design, the need for better client culture and for better design on government forms (yes!), how typography is like music, creative collaboration and more, all beautifully said:
Erik Spiekermann – Putting Back the Face into Typography from Gestalten on Vimeo.
I know this film has been blogged in lots of other places, but there are so many great things said in such a wonderful way that I couldn’t help but post it too.
film still | Jinny Whitehead, wood-fire potter
I’ve uploaded four films we shot and produced profiling the process of 4 local Vancouver craft artists, to my website . We created these films as a personal, side project while we designed the Museum of Vancouver’s exhibition Art of Craft and then screened them in a subsection of the Art of Craft “By Hand” gallery. We were inspired by the objects in the exhibition and the craftsmanship that went into making them and wanted to introduce museum visitors to (a small hint) of the artists’ process.
The films can be viewed on my website, Resolve Design’s website, or on Resolve Design’s vimeo account.
Thank you to the Canadian Craft Council for facilitating, to the artists who opened their studios to us, generously accommodating our film making. Also to our talented friend and soundtrack engineer, Jeff Griffiths for doing us such a big favour. Additionally, to Chad Crouch, who’s music ended our long and painful search for appropriate Creative Commons music. Got a film project that needs music? Looking for music to license for a commercial project? Want to buy an album to listen to? Please check him out.
film still | Peter Kiss, wood sculptor
film still | Barbara Heller, tapestry artist
film still | Barbara Cohen, sculptural jeweller